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Thread: 85 UNFORGETTABLE Asha Bhosle songs

  1. #13
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    Jul 2018
    57. Piya Bawri, Khubsoorat (1980): Asha regales in her classical rendition of Piya interspersed with Ashok Kumar's pulsating bol.
    58. Yeh Saaye Hain, Sitara (1980): Gulzar's philosophical musings about showbiz and Asha's pensive understanding of the same is simply awe-inspiring.
    59. Khatouba, Ali Baba Aur Chalees Chor (1980): For the Indo-Russian produced Arabic fairy tale, Asha endorses RD's brand of exotica with her enticing inflections.
    60. Dil Cheez Kya Hai, Umrao Jaan (1981): 'Is Anjuman Mein Aapko Aana Hai Baar Baar...' The singer pours her heart, soul and artistry in Khayyam's impeccable creations to produce the tour de force of her career. The upshot is a smitten listener heading for the repeat/rewind button baar baar.
    61. Phir Se Aaiyo Badra Bidesi, Namkeen (1982): The quirky mood of RD's sulky strain is articulated with wonderful restraint by Asha. Yep, Kaale Kamlewaali Ki Sau.
    62. Tu, Tu Hai Wohi, Yeh Vaada Raha (1982): Asha wields the microphone to become the singing voice of close friend Poonam Dhillon in this lovey-dovey title track of Yeh Vaada Raha.
    63. Hothon Pe Beeti Baat Aayi Hai, Angoor (1982): The songstress slips into a puckish mode to convey Gulzar's wacky imagery, Chaand Ko Chabane Ki Raat Aayi Hai, in this underrated RD number from Angoor. I've always found Mera Kuch Saaman to be a close cousin of this one; only, the latter has superior lyrical value.
    64. Jawan Janeman, Namak Halal (1982): Parveen's smouldering jig on screen would be half as effective without Asha's scintillating input of a-ha's and o-ho's.

  2. #14
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    Jul 2018
    65. Mere Angana Aaye Re, Naram Garam (1982): A great playback singer can acquire the personality of any character he/she's singing for. Asha embraces the girl-next-door humility of Swaroop Sampat's Kusum in the trance-inducing Phir Se.
    66. Aur Kya Ehde Wafa Hote Hai, Sunny (1984): Sunny has a handful of pretty songs on its menu. And Asha's lilting gaayki here is one of them. Another version of the same ghazal with Suresh Wadkar is no less impressive.
    67. O Meri Jaan, Manzil Manzil (1984): Though the film flopped, RD's soundtrack hits all the chords. And Asha sounds absolutely divine in this mellow favourite, O meri jaan.
    68. Mann Kyon, Utsav (1984): Asha and her didi Lata Mangeshkar have sung together earlier too but the elegant chemistry of the sisterhood in LP's Dil Kyon is especially attractive.
    69. Jaa Ne Do Naa, Sagar (1985): Too hot to handle! Said every single speaker since 1985 who has played this song. Uff, Asha Bhosle!
    70. Roz Roz Aankhon Tale, Jeeva (1986): Some movies don't merit RD's beautiful score. And so Asha's euphonic admissions deserved a better platform than the bland Mandakini or an obscure potboiler like Jeeva.
    71. Jaane Jaan O Meri Jaane Jaan, Sanam Teri Kasam (1986): In contrast, Reena Roy pays perfect tribute to the singer's ebullience with her dynamism in the hugely popular disco ditty. Also, a-ha ha a-ha ha never sounded this good. Nor did tin tinak dhin.
    72. Khaali Haath Shaam Aayi, Ijaazat (1987): Restless abandon makes way for the hard-hitting melancholy that comes with unending anticipation in her poignant expressions. The thehrav she lends Khaali haath is why I pick it over other gems like Katra Katra or Mera Kucch Saaman from the same album.

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